Maverick FBI Agent Ana Grey is back in a suspense-charged new audio, going undercover into the volatile core of a terrorist cell.Emotionally vulnerable after a shooting incident, Ana has just returned to the job when she learns that a fellow agent has been murdered by a group of hard-core anarchists operating behind the façade of FAN (Free Animals Now). Dispatched to the FBI’s infamous undercover school to learn the art of deceit, Ana takes on the identity of a down-on-her-luck animal lover determined to save the wild mustangs of the West. Now she’s ready to work her way into the inner circle of Julius Emerson Phelps, the unstable, charismatic leader of a “family” of outcasts who live on an isolated farm in Oregon, and who are preparing an act of terrorism Phelps has dubbed “the Big One.”The stakes increase significantly when Ana learns that Phelps is playing his own game of dangerous deception, and that he possesses a stockpile of dirty secrets about the Bureau sufficient to blow it sky-high.With razor-sharp realism, Smith renders the psychological vise of a deep-cover agent living a lie 24/7. Negotiating a minefield of loyalty and betrayal, under constant threat of discovery, Ana is forced to commit the very crime she’s determined to stop.JUDAS HORSE is a breathlessly exciting thriller.
Excerpts
From the book
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Chapter One
I am standing in the middle of nowhere, eating an oatmeal cookie, when the word comes down the hallway like an ill wind that SAC Robert Galloway wants to see everyone in his office. I glance at the TV monitors--no airplane crashes--and figure this would be Galloway announcing with his usual gloomy hysteria that some honcho is coming from FBI headquarters, or maybe, because of budget cuts, we all have to bring our own copy paper.
The boss is waiting behind his desk, eyes downcast, fingertips tapping the blotter, and he does not speak or look up until the office is jammed with agents in shirtsleeves and wide-eyed administrative assistants. Cautious silence settles in.
"Another blow," he says, because there are all kinds of blows, all day long.
The silence twists tighter.
"Special Agent Steve Crawford is dead."
A collective gasp of shock. Some of us clutch, as if kicked in the gut.
"We have a positive ID on his remains."
"How?" someone finally asks.
Galloway clears his throat. Everybody knows Steve Crawford was his golden boy and heir apparent.
"A hiker found a piece of jaw with a couple of teeth in a stream close to where Steve disappeared." He takes a breath. "The forensic dentist matched the root furcation on the X-rays."
"Cause of death?"
Galloway rubs his forehead. "He was an experienced hiker. A fall? Hypothermia? We don't know. He was hiking alone. It's a remote location. You have big animals, little animals; they're dragging pieces hither and yon. The coroner says the manner of death is a very difficult call, based on the evidence and the length of time Steve was out there."
It is like losing Steve all over again. Like those stomach-churning hours thrashing through the soaking undergrowth up in Oregon just days after I'd come back from administrative leave. I get sick just thinking about the empty yelping of those dogs.
When Steve had failed to call his wife, Tina, from a solo hiking vacation in the Cascades, his abandoned SUV was discovered at a trailhead. Four hundred volunteers scoured the national park, casting a net of inquiry from Eugene to Bend. Everyone from the Los Angeles field office went up on their own time to knock on doors. Worse, indescribably worse, were the visits to Steve and Tina's house down here in Gardena--a dining table of foil-covered casseroles, two dazed grandmas from out of town, a couple of sisters, the scent of baby powder from the children's room.
Standing now in Galloway's superheated office, I do not want to hear the aren't-I-smart questions. What does it matter if the molars have fillings or not? After weeks of uncertainty, there is no doubt. Steve is dead; at least his family has something to bury.
Seven months before, a crazed detective on a suicide mission tried to drag me into his car, and I shot him.
When you are involved in a shooting incident, they take away your weapon and credentials. You are no longer identified as a federal agent, no different from any bozo who cannot get past the metal detectors. There is an investigation by the Office of Professional Responsibility and what we call "critical incident training," psychoanalyzing with other agents who have been through a life-changing trauma. When they decide you are ready to come back, the tradition is that another agent waits downstairs to "walk you in."
Steve Crawford was waiting in the lobby of the federal building when I returned after seven insomnia-wracked months on administrative leave. In the FBI family, Steve and I were closer than most, having graduated in the same class at the Academy in Quantico, Virginia. Those...
Reviews
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FBI Special Agent Ana Grey goes undercover to investigate the murder of her former fiancé, Steve Crawford. The suspected killers are members of a domestic terrorist group known as FAN (Free Animals Now). After attending an intense training program, Ana infiltrates the Oregon-based group and encounters an assortment of highly motivated activists, each with a rationale for his or her violent actions. Among them, a turncoat FBI agent, Dan Stone, is in the process of planning "the big one." This is a well-conceived, in-depth look into disenfranchised, alienated people. April Smith is a savvy writer, but her narration isn't up to this fast-paced, engrossing story. This is another instance when listeners would have been better served by a professional voice-actor. S.J.H. (c) AudioFile 2008, Portland, Maine
Los Angeles Times...
"A genuinely scarifying thriller with a consistently vertiginous, through the looking glass mood. Every character is a hologram of sorts and every episode has the momentum of a theme-park ride. One of Smith's cleverest tricks here is her unsettling depiction of unlikely alliances: Ana turns out to have more in common with the villain, Stone, than she might ever have imagined."
Marilyn Stasio, New York Times Book Review...
"A feverishly pitched adventure . . . With every dynamic scene, including a wild mustang roundup that thunders right off the page, the reader, like Ana, is reminded of the lost ideals and divided loyalties that make these mortal conflicts so bloody--and so sad."
Los Angeles Magazine...
"Why does the FBI still seem so sexy? Part of the reason is murder mysteries like April Smith's Judas Horse . . . It's creepy, chest-thumping stuff, with snitches and loyalty tests and the good guys and villains constantly in flux."
Otto Penzler, New York Sun...
"A runaway but cagey novel that never lets up . . . The incidents with which Ana must deal [at FBI undercover school] are so fast, harrowing, and breathtaking that they are like skiing down the expert slope while juggling vials of nitroglycerine."
Publishers Weekly (starred) ...
"Smith's superb third thriller to feature Ana Grey . . . Ana's nuanced and coolly observational narrative voice perfectly complements the well-paced action, which builds to a satisfying conclusion that leaves open the next chapter of Ana's story."
Library Journal (starred)...
"Smith does a convincing job of conveying the trials of maintaining a dual identity . . . The narrative is fast-paced without becoming frantic, and the intertwining story lines are deftly handled. Highly recommended."
Kirkus Reviews (starred)...
"A demonic ride through undercover terrain . . . Smith creates an undercover training regime for Ana that the FBI might do well to emulate. She's so expert at implanting stress that you could become bipolar just from reading one chapter. Feisty, disturbing and exceptionally well done."
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